For years I admired the work of Marilyn Carmin, and was drawn to her designs. I probably purchased every, okay, maybe not every one of her wildlife patterns - but I do have a library of them. 
Marilyn has been a regular in the magazines for sometime, and she has come up with some of the most original composites of wildlife fretwork. I consider her "often imitated, never duplicated".
Marilyn has this "My Spirit Soars" in the current issue of CWC . I simply couldn't resist this one - it looks like her older work which has inspired me over the years. This version in cut from 1" clear pine, and 1" cedar.
Thank you Marilyn, for your fine design(s) and for creating the way only you can.

Marilyn has been a regular in the magazines for sometime, and she has come up with some of the most original composites of wildlife fretwork. I consider her "often imitated, never duplicated".
Marilyn has this "My Spirit Soars" in the current issue of CWC . I simply couldn't resist this one - it looks like her older work which has inspired me over the years. This version in cut from 1" clear pine, and 1" cedar.
Thank you Marilyn, for your fine design(s) and for creating the way only you can.
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