I finished the Angel clock on 9-11-2011. It is made of quarter sawn red oak aspen and walnut. It was designed by Dirk Boelman of The Art Factory. The Gingerbread clock is made of 3/16" walnut harvested from my property and 1/16" maple. The Gingerbread clock is designed by John Nelson, and the dial is by Sue Mey. I have these on Etsy.com under Merleswoodworks. along with some other projects.
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Gaurdian Angels clock and Gingerbread clock.
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Wonderful works Merle! Can't decide wich one I like most, they both looks great! Thanks for sharing!Frieke
www.friewoodart.webs.com
Visit Frieke's gallery
Don't let the pain of your past and the fear of your future ruin the happiness of your present.
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That is some very beautiful work!Rolf
RBI G4 26 Hawk, EX 16 with Pegas clamps, Nova 1624 DVR XP
Philosophy "I don't know that I can't, therefore I can"
Proud Member of the Long Island Woodworkers Club
And the Long Island Scrollsaw Association
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Excellent work! Man you must have the patience of a rock. I would not be able to do those as I do not have the patience for having so many starts and stops. Thanks for sharing them with us.
DWLife is hard. It is even harder when you are being stupid.
John Wayne
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Originally posted by Haggard3230 View PostI finished the Angel clock on 9-11-2011. It is made of quarter sawn red oak aspen and walnut. It was designed by Dirk Boelman of The Art Factory. The Gingerbread clock is made of 3/16" walnut harvested from my property and 1/16" maple. The Gingerbread clock is designed by John Nelson, and the dial is by Sue Mey. I have these on Etsy.com under Merleswoodworks. along with some other projects.
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Originally posted by jpedersm View PostIf stained do you do it before glueing or after also how do make sure all the small fretwork (Small holes scrolled out) pieces get stained? I did some slays back around Christmas and the only way I could get stain to the inside cuts was to dip the project, but something at this size I don't know how someone would dip it.
Staining larger 3 dimensional projects like these clocks is difficult. You can stain the pieces before assembly, but you have to be aware that stain will prevent glue joints from achieving the ultimate bond. On some pieces you may be able to get away with it, but glue failure is a risk I wouldn't want to take with a large clock. You could mask the mating glue surfaces before staining, but this can be very tedious and time consuming for complex assemblies. For these reasons, a lot of folks will use the natural color of the various wood species to provide the desired color and contrast, rather than stain the piece. It's a personal choice.Homer : "Oh, and how is education supposed to make me feel smarter. Besides, every time I learn something new, it pushes some old stuff out of my brain."
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Reply to lion looking to the skyby Sandy OaksThat was sure a delicate cut!
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Reply to lion looking to the skyby Bill WilsonNice work, Keith!
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Reply to lion looking to the skyby NC ScrollerYou have been busy. Very nice.
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Reply to lion looking to the skyby KarlBVery beautiful! I like the contrast with the black matte.
Well done Keith!-
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by martzyI loved the pattern but for some reason I didn't like the cutting but the more I looked at it after framing, the more I started to enjoy it. It is an H. Botas pattern.
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